Abbreviated Books Reviews Pt. 2

I ended 2023 with over 50 books read. I decided that if I was reading that much I’d be able to write a fair amount of regular reviews. That didn’t play out as I’d hoped. Between welcoming a new baby, becoming a stay at home dad, and starting thesis for my MFA, I’ve had not nearly enough time. That being said, I did manage to read 41 books this year, a bit shy of my 50 book goal. Here are my thoughts on those I’ve read since my last update.

(in order of least to most recent)

The 7 1/2 Death of Evelyn Hardcastle by Stuart Turton

Of all the books on this list, this was by far my favorite. I was a little apprehensive at first as the protagonist begins with amnesia, which is a trope I hate. But as soon as the reason for the amnesia was revealed I was all on board. It’s a crazy time travel mystery that I’ve been recommending to everyone, no matter what they normally read. It’s that good.

Escape from a Video Game: The Secret of Phantom Island by Dustin Brady

Every night I do a half hour of reading with my kid before bedtime. We grabbed this at the library since he likes video games and Choose Your Own Adventures. For a six-year-old, it was engaging, especially the puzzles where you have actual worksheets to fill out and keep track of your progress. For adults, there’s a fair amount of nerdy humor thrown in there to keep things entertaining for you as well.

Shuna’s Journey by Hayao Miyazaki

Another bedtime book, I also picked it because I’m a huge Miyazaki fan. It’s a graphic novel, so it’s a pretty quick read, and while the concepts were understandable for my son, I think the gravity of the situation won’t be appreciated until he’s a few years older. I wasn’t a huge fan of the ending, but if you like Nausicaa you’ll probably like this.

The Strange Case of Origami Yoda by Tom Angleberger

My kid likes this one enough that he got the whole series for Christmas. Some of the social situations are more appropriate for a middle grader, but the humor and the stakes are fairly universally understood. There’s a good amount of humor, and I particularly enjoyed the footnotes and the idea that multiple kids came together to make this case file.

The Song Rising by Samantha Shannon

The third in the series, this one felt a little lesser than the first two, but still engaging (enough that number four is later on this list). As with most fantasy series, the stakes here get bigger and broader. Relationships get strained and people die. The charm of the story will always be Paige and how she navigates all the worlds (social, political, literal) she has been thrust into. And of course, wondering if she and Warden are ever going to hook up.

The Most Boring Book Ever by Brandon Sanderson

This was a bit of a let down. The premise is good, and the art is fun, but it came off more as a proof of concept than a successful application. It’s no secret I’m a huge Sanderson fan, and maybe I had some high expectations going into this having just finished a children’s book focused intensive two week class. Definitely one to check out from the library as opposed to adding to your collection.

House of X/Powers of X by Jonathan Hickman

Moira. Dang. I have a very broad, encompassing knowledge of most comics. I’ve got a few hundred in boxes in my attic and I read X-men novels as a teen. But I had no idea about Moira and what she can do and did do, over and over and over. This was a super fun read, especially if you like time manipulation stories, as I very much do. It’s incredibly satisfying to see different characters take different paths and to see them succeed or fail depending on choices. It’s like those What If scenarios playing out in front of you.

The Waste Lands by Stephen King

The third in King’s Dark Tower series, this follows Roland and his friends (not giving away any spoilers) as they navigate Roland’s expanding world in their search for the Dark Tower. As with his others in the series, time plays a huge role in the narrative, and how things may be different, but still somehow always stay the same. Technically, that can be said about any story since we can only write what we know, but there’s intentionality here. Also, riddles are fun. 🙂

Storm Front by Jim Butcher

As part of the research for my thesis (I’m writing a fantasy mystery), I grabbed a few established examples to see how writers have approached the genre. Jim Butcher is probably the most well known, with the Dresden Files being the most well read. I really enjoyed his Cinder Spires books, and while this was a fun read, it didn’t have the same draw. Granted, Storm Front came out almost twenty-five years ago and was his first book. His writing has progressed since then. To me, Harry Dresden felt kind of like Gandalf. He occasionally did some neat stuff, but he often relied on others to solve his problems or answer his questions. I’m hoping as the series goes on he becomes more of a self-reliant protagonist.

A Court of Frost and Starlight by Sarah J Maas

This was the Christmas themed mini book that came out after the trilogy. And I say mini comparatively. It’s normal length compared to most books. It was nice to take a break from the heaviness of the series, and while there were some cute things going on, I felt that a lot of the relationship tensions that were front and center never got resolved. They just became more build up for the next book. They only resolution came from Feyre’s art, which was nice, yes, but there’s more’s the just Feyre here. Hopefully the last book gives the satisfaction I’m looking for.

Fated by Benedict Jacka

The next of my research reads, this was the one I enjoyed the most. The protagonist is a probability wizard, meaning he can sort of see into the future. I’d already given my own protagonist a somewhat similar ability, so it was interesting to see how Jacka utilized it in a narrative. The characters were smart, unique, and the world was fun to read about. Never did I feel like I was slogging or floundering, and I kept wanting to turn those pages. Of the fantasy mysteries, this series is the one I most want to continue.

This is How You Lose the Time War by Amal El-Mohtar and Max Gladstone

This was recommended to me as I was in the middle of working with an editor on an epistolary short story (which is being published this summer!) as a great example of epistolary prose. Plus, time travel! It was a relatively quick read, but there were sections that were fairly dense and required a bit more attention as I read through it. My favorite part, not being shy about my Shakespeare fandom, was when I thought, oh, they’re totally going to do a Romeo and Juliet thing here. Then Romeo and Juliet was referenced by name, followed by other key moments I won’t spoil. Then science was fun, the relationship was fun, and the form was fun. Just fun all around.

The Mask Falling by Samantha Shannon

Book four in the series, this one benefited by giving us a new setting as well as time to sit with Paige and Warden for more than a minute without someone trying to kill them. There was a reveal that I’d figured out in the first book, so that was a bit anti-climatic, but it’s still refreshing to see Scion through a different lens, and somewhat further away. As always, I’m in awe of Shannon’s breadth of knowledge of language and culture and history.

Midnight Riot by Ben Aaronovitch

You always hear people say you need a strong opening sentence, or opening paragraph. Well, this book had one of the best opening pages I’ve read in a long time. Enough that I took a picture and sent it to my MFA peeps. Aaronovitch has a fun, witty voice that never appears to be trying too hard. My only complaint about the book what that it fell victim to one of the suckier detective tropes of misogyny. I don’t mean to imply the author is, but for once I’d like to read a straight male detective protagonist who doesn’t see all women as pieces of meat.

The Road by Cormac McCarthy

Dark. Depressing. And literally dark. Post-apocalyptic nuclear winter dark. It won a Pulitzer, with good reason. The whole story focuses on the relationship between father and son as they try to survive in the wasteland they now live in. Hope and love are the drivers of survival, both of which are tested in very real, relatable ways, even if they exist in a very different reality. Also, not being able to picture things in my mind, I have a very high tolerance for gore and grossness. There was one paragraph in this book that was the most disturbing thing I’ve ever read. Ever.

Die Trying by Lee Child

Book two in the Reacher series, we see Reacher caught up in something again because he was in the wrong place at the wrong time. No improbable family connections this time, but still a lot of the calm, collected, violent Reacher we expect. I felt like this was almost two books in one, with two very distinct sections that each start and end abruptly. It works, and makes sense, but still very abrupt. I mentioned earlier I wanted to see a detective who sees women as more than a piece of meat, and to his credit, Reacher does that. But I also wonder if he’s going to hook up with every hot lady he ends up working with. If hook ups happen authentically, no big deal. But if this happens every book it’s going to get awfully boring.

Berserk Deluxe Edition, Vol. 1 by Kentaro Miura

Last on the list is this massive tome, a manga collection from the series Berserk. I happened upon it randomly at the library, where they had all fourteen of them in a row begging to be inspected. I knew a little of the premise from seeing some of the anime, but I was not prepared for the level of gore. It was stylized, almost comical at times, but it was a lot. And Guts is a bonafide A-hole. But I tore through the whole thing in one evening, so it was definitely engaging. I think I kept burning through it wondering what could possibly happen next, given the ridiculous images I was seeing. I’ve got Vol. 2 on hold at the library, so we’ll see how it progresses. If it’s stays as engaging, it seems I’ll have quite a bit to get through.

That about wraps it up. I don’t think my goal will be quite so high in 2025 as I have to finish thesis on top of another class, and my daughter is now crawling so a lot of my day will be chasing her around and making sure she doesn’t break/kill herself, which is all a parent really needs to do the first two years 🙂

And the next books on the list, each of which I’m partially through, are Wind and Truth by Brandon Sanderson, Lincoln in the Bardo by George Saunders, and Wizard and Glass by Stephen King. Happy reading, and let me know if you found any of this helpful, or if you agree or disagree about any of these.

Book Review: The House in the Cerulean Sea

I finished up 2023 with 55 books read, beating my Goodreads challenge by five books. Averaging just over a book a week, it occurred to me that there is plenty of opportunity to talk about books and what I, and perhaps you, are reading.

The next thing I wanted to decide on was how to talk about the books and how to value them, as a review generally is supposed to do. How to talk about them was the tricky part, but after conversations on twitter as well as in real life, I’m going to pick something from the book that either stood out as effective or ineffective, and do a spoiler-free analysis of that particular literary technique (because everyone hates spoilers).

Valuing the book seems trickier. You can find a something-out-of-five rating on Goodreads easily enough, but I wanted something more personal, and something more informational. What does a star mean? What’s the difference between three and four? Between four and five? Did the fantasy have too little magic? Was the romance too overt? Did I figure out the mystery’s killer in the first ten pages? I read a lot of different stuff, so I need something that can accommodate different types of books. I hereby give you…

The Author’s Arsenal system.

By no means are these five areas exhaustive, but they represent five key elements in any story. By not awarding a book with one of these emblems, it doesn’t necessarily mean it did poorly (though it very well could). Instead the emblems it does receive should be lauded as the book’s strength. The five emblems are:

  • The Quill Pen. This will be awarded for exceptional storytelling or narrative.
  • The Inkwell. For depth and richness of theme.
  • The Parchment: For the quality of writing style and prose.
  • The Seal. For character development.
  • The Scroll. For world-building and setting.

So, without further ado: The House in the Cerulean Sea.

T.J. Klune’s magical realism novel treads the line between middle grade and YA. It’s longer than a typical middle grade book, however the language fits a middle grade book style much more closely than it does YA. The prose is direct, the characters are clear with their feelings, and everything feels very honest.

As I finished my read, two things stood out. First, the world-building. The House in the Cerulean Sea features an alternate version of our world where magical creatures/children exist and are known by the general populace. Linus, our main protagonist, is sort of a social worker for these children, and the whole story revolves around a specific assignment he must complete.

From the inner-workings of the bureaucratic government oversight agency to the prejudice of humans toward magical children to the intricacies of the various environments, Klune does a great job of establishing a believable world the characters exist in. Often times middle grade stories can gloss over details or dive too deep at the expense of narrative and character, but he does a fine job of maintaining the correct balance.

The second highlight is theme. It is established early on—so I don’t consider this a spoiler—that Linus is a gay man. There’s no fanfare in the revelation, and no shame. It is was it is. Which is exactly how it should be. Linus exists in a world where he expects to be treated the same as everyone else, and believes that others have the same right. Including magical children. Between him wrestling with his own emotions as well as understanding and accepting the children, Klune does a fantastic job of establishing and reinforcing a positive theme with enough tact and honesty for a middle-grade (and older) audience to understand the message without feeling they are being beaten over the head.

Before I move on to my craft bit, I do want to call out the one thing that rises above the rest in this book. Written as a middle grade book, there are expectations and limitations when it comes to prose. A third grader typically won’t be able to handle Tolstoy or Faulkner. The prose must accommodate the audience. But that isn’t necessarily a summation of the author’s ability. While most of the book reads as typical middle grade prose, there is a poem around the midway point that, while plain in diction, is rich in metaphor and layered with emotion. After I finished it I audibly said “dang.” If you pick up this book, that is definitely something to look forward to.

On to craft. Since finishing this book, I’ve had many discussions about it, some with people who haven’t read it (mainly on the function of craft), and some who have (mainly on the application of craft). Based on those conversations, today’s topic is agency.

I’m sure most of us are familiar with the term, but agency basically describes the character’s ability to do something. Are they reacting to events and being led by the nose, or are their reactions to the events of the story their own choice, plot and antagonists be damned. There is a distinction to be made about their choice.

If the character gets into a situation where they must do something or face terrible consequences, sure, they’re technically choosing to do the thing, but that’s not much of a choice. They’re basically being herded. But, if they’re presented with that same choice and do a third option, or they agree and turn that choice into their own growth, then you’ve got some agency.

Sometimes the decisions are small. Deciding not to answer that phone. Turning left when they always turn right. Maybe this one time they’ll skip the coffee shop on the way to work. Sometimes the decisions are larger. Standing up to the bully. Giving into temptation and stealing that heirloom. Turning off the targeting system as they fly through the trench.

What makes characters interesting is their choices, and their ability to choose. It makes their lives more dynamic, makes their actions carry more weight, and it adds a pulse to the story, an energy the reader can feel even if they’re unaware that’s what they’re feeling. You can have an amazing plot and setting, but if you have a boring character sleepwalking through that story your readers won’t connect.

In The House in the Cerulean Sea, Klune uses a tried and true character arc of a person lacking agency, only to gain it as the story advances. That arc can be tricky. If you wait too long to have the character begin to learn, you may lose your reader. Often times those characters will be supported by interesting plot, immersive world-building, or engaging prose. If you can hook the reader long enough to ascend that arc, then good on you. But without a character to invest in, pretty words and locations can only do so much.

And now, for the big moment, how did The House in the Cerulean Sea fare with the Author’s Arsenal?

For deftness of theme and a well-execute message, especially given the audience age, I award The Inkwell. For an immersive (and wholly believable) world, I award The Scroll.

Remember, for awards not received, it doesn’t indicate a poor execution of those qualities. The awarded emblems are just for what is done particularly well.

I’m sure this is the most prestigious award the book has received 😉 As such, Klune should be proud of the world, characters, and story he created.

Future reviews won’t have the whole explanation of the review process. This one did because it was the Arsenal’s maiden voyage. Expect a variety of books, new and old, across genres. And, if you have any you’d like to recommend, let me know. If I’ve already read the book, the odds are low I’ll review it. I rarely re-read anything because there’s just so much out there and I want to get as much new content as possible.