Infernal Devices, Boneshaker, The Anubis Gates, The Difference Engine, Homunculus

I write this at 1:37 PM and so greet you all with a good afternoon, and not in the Will Ferrell/Ryan Reynolds way (unless you deserve it). As of yesterday I finished the last of my research for revising my novel and it’s time to hold myself accountable and report in.

Previously I mentioned three things that stood out in steampunk: Transportation, Science/Magic, and Weirdness. The five books I’ve read since then reinforce those observations with the addition of one more: History.

It just so happened that the books I previously read weren’t indicative of the Victorian locales commonly found in the genre. Of the five I just finished, all but Boneshaker were based in London. For me, this won’t play too much into the writing as my story takes place in a completelyfictitious world, but I do still want to talk about the setting and the history of it.

As a Theatre Arts and English major, I had plenty of exposure to British writers, and of course Britain played a major role in global politics (I’m using that term very loosely as I don’t want to fall down the rabbit hole of colonialism). With that, there is a lot of opportunity in period pieces for authors to embrace or tweak history and historical figures for the sake of the narrative and the world they’re inventing/adapting.

I particularly enjoyed how this played out in The Anubis Gates. The protagonist is a literary scholar who is an expert in Coleridge. It’s a time travel book and I’m not ruining anything by saying those characters meet. But that’s not where the literary and historical connections end. Many real-life persons are introduced and historical events help shape the narrative journey. I found myself wondering how much of what I was reading was factual (I knew some parts definitely were) and how much was invented. The fact that there were parts I was unsure of made it that much more engaging.

The Difference Engine was much more liberal with its treatment of historical figures and events, enough that I could lump it into the alternate history genre. But in staying true with the setting and technological advancements it solidly fits with the rest of the steampunk I’ve shoved into my brain the last couple of months. Boneshaker too did this, though in Seattle instead of London. As someone who grew up just south of Seattle I found that personally engaging as well. The author made a point at the end of the book to acknowledge what liberties she took with historical accuracy, giving a look into the massive amount of research that goes into period pieces.

As I pivot from reading to re-writing (and starting up grad school again on Monday), I’ve got not only a stronger idea of the genre that I’m piggybacking off of, but a much better handle of genre expectations, both to adhere to and to subvert. Whereas I was initially really trying to scientifically explain how the technology works in my story, I’ve learned that a lot of that can be hand waved away. Brandon Sanderson used an iceberg metaphor regarding world building that I think can be co-opted for this. He (paraphrasing) said that if you have enough surface level complexity, the reader will assume the unspoken parts of the world are known to the author and also have legitimate explanations/reasons. That works with the technology of steampunk. It’s basically magic, but as long as it’s explained in part, the rest is assumed to work as well.

That’s all I have for today. I try not to make these too long, though if you ask my wife I could go on about these books at some length. I’m starting a class focusing on point of view on Monday, so between that and rewrites my brain is going to be working overtime for the foreseeable future. Enjoy the weekend and I’ll try to have another post soon.